Sound reports of a crime: Evandro Case from a perspective of True Crime
This paper analyzes the fourth season of the podcast Projeto Humanos intending to use the True Crime category to understand Brazilian sound productions about real crimes. The approach puts the methodology developed by Punnett (2018) into dialogue for the textual analysis of productions of this genre...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/41123 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/41123 |
| Access Level: | acceso abierto |
| Palabra clave: | Crime Journalism Podcast Narrative radio journalism True Crime Crímenes Periodismo Radioperiodismo Narrativo Crimes Jornalismo Radiojornalismo Narrativo |
| Sumario: | This paper analyzes the fourth season of the podcast Projeto Humanos intending to use the True Crime category to understand Brazilian sound productions about real crimes. The approach puts the methodology developed by Punnett (2018) into dialogue for the textual analysis of productions of this genre with narrative radio journalism (KISCHINHEVSKY, 2018). As a result, we identified enunciative and narrative aspects that allow us to classify this podcast as an example of True Crime and raise reflections about the particularities of the radio language for the construction of this type of narrative. |
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