O cristo cósmico curandeiro no pêndulo dos demônios da antroposofia
The article articulates anthroposophical cosmology with German Gothic art from the 14th to the 15th century, in an interface with the aesthetics of cure that goes back to the present day in the neo-Romantic medicine of this European spiritual science. The icon work of art of cure in Anthroposophy is...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Norte (UFRN) |
| Repositorio: | Repositório Institucional da UFRN |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufrn.br:123456789/31034 |
| Acceso en línea: | https://repositorio.ufrn.br/handle/123456789/31034 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte sacra Cura Estética Antroposofia Sacred art Cure Aesthetics Anthroposophy |
| Sumario: | The article articulates anthroposophical cosmology with German Gothic art from the 14th to the 15th century, in an interface with the aesthetics of cure that goes back to the present day in the neo-Romantic medicine of this European spiritual science. The icon work of art of cure in Anthroposophy is the image of the Christ Cure or Cosmic Christ present in the Retable of Issenheim. This Retable is exhibited for meditation and appreciation at the Unterlinden museum in Colmar, Alsace-France, near Dornach-Switzerland, headquarters of the Anthroposophical Society. In the cosmology of this spiritual science the Cosmic Christ is consideredthe Single capable of metamorphosing the disease into cure. The image of the Christ present in the part of the Retable entitled The Resurrection was reworked by Anthroposophy, transforming it into an archetype of the middle element, solver of the conflict, evoking the mittler of German Romanticism, of the disputes between the stimulating Luciferic and Ahrimanic forces in cure processes |
|---|