UNLISTED CARNIVAL: WHEN IDENTITY IS CREATED FOR THE MARKET
This article aims at understanding how market dynamics interfere with the practice of the Carnival of Rio de Janeiro (Brazil), one of the best known in the world, which nonetheless lies outside the List of Masterpieces of the Oral and Intangible Heritage of Humanity by Unesco, different from the Car...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade do Estado do Rio de Janeiro (UERJ) |
| Repositorio: | Textos escolhidos de cultura e arte populares (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-publicacoes.uerj.br:article/12028 |
| Acceso en línea: | https://www.e-publicacoes.uerj.br/tecap/article/view/12028 |
| Access Level: | acceso abierto |
| Palabra clave: | INTANGIBLE HERITAGE POPULAR PARTIES CARNIVAL. CARNAVAL PATRIMÔNIO IMATERIAL FESTAS POPULARES. |
| Sumario: | This article aims at understanding how market dynamics interfere with the practice of the Carnival of Rio de Janeiro (Brazil), one of the best known in the world, which nonetheless lies outside the List of Masterpieces of the Oral and Intangible Heritage of Humanity by Unesco, different from the Carnival of Oruro (Bolivia), Barranquilla and Blacks and Whites (both in Colombia). |
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