Os Salões de Maio e a crítica de arte: modernismo, surrealismo e abstração
This article presents and discusses three art exhibitions, known in Brazilian art history as “Salão de Maio”, which were realized in the 1930s, in São Paulo. The purpose of this analysis is to debate art criticism published in the newspapers of the period about these exhibitions. These events had a...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2015 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | português |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15691 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15691 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Salão de Maio Modernismo Arte Abstrata Modern Art Abstract Art |
| Resumo: | This article presents and discusses three art exhibitions, known in Brazilian art history as “Salão de Maio”, which were realized in the 1930s, in São Paulo. The purpose of this analysis is to debate art criticism published in the newspapers of the period about these exhibitions. These events had a key role in Brazilian art, because it promoted a new debate about international art movements, such as surrealism and abstract art, which were presented at the second and the third editions of the event. |
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