Godard’s atlas: an epicycloidal reading
This essay aims to correlate the warburguian montage in Jean-Luc Godard’s The old place with the concept of epicycloid developed by Araripe Júnior as a reference to the movement of cultural transformation: if, in Mnemosyne, Warburg discovers new meanings to images through their transpositions and re...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/4003 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4003 |
| Access Level: | acceso abierto |
| Palabra clave: | Jean-Luc Godard Araripe Júnior Epicycloid Montage Epicicloide Montagem |
| Sumario: | This essay aims to correlate the warburguian montage in Jean-Luc Godard’s The old place with the concept of epicycloid developed by Araripe Júnior as a reference to the movement of cultural transformation: if, in Mnemosyne, Warburg discovers new meanings to images through their transpositions and recombinations, one can see this process as the methodology chosen by Godard to analyze the arts in his documentary, as well as an argument for Araripe Júnior to affirm his critic of monroism. |
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