Between music and dance: Dalcroze and the Moving Plastic
Translation of the text La Rythmique, la Plastique Animée et la Danse written by Émile Jaques-Dalcroze and originally published in 1916. The translation is preceded by a historical contextualization of the text and the main themes it addresses, namely: the conceptual assumptions of Jaques-Dalcroze m...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/25495 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25495 |
| Access Level: | acceso abierto |
| Palabra clave: | Jaques-Dalcroze (1865-1950) rítmica corpo Platicidade Viva dança eurhythmics body Moving Plastic dance cuerpo Plasticidad Viva danza |
| Sumario: | Translation of the text La Rythmique, la Plastique Animée et la Danse written by Émile Jaques-Dalcroze and originally published in 1916. The translation is preceded by a historical contextualization of the text and the main themes it addresses, namely: the conceptual assumptions of Jaques-Dalcroze method (known as Eurhythmics and based on rhythmic body and vocal exercises); the foundations of Moving Plastic and its developments in the field of theatrical staging; the aesthetic and pedagogical problems of dance and the becoming of a new dance. |
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