The dis-figured memory of Walter Benjamin
This article proposes an analysis of Walter Benjamin from his supposedly autobiographical writings Berlin Childhood: 1900 and Berlin Chronicle from a figure which Freud puts to us: that of the archaeologist, or, according to psychoanalysis, the one who digs out the memories. Thus, this archeologist...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2020 |
| País: | Brasil |
| Recursos: | Universidade Federal de Goiás (UFG) |
| Repositório: | Signótica (Online) |
| Idioma: | português |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/58574 |
| Acesso em linha: | https://revistas.ufg.br/sig/article/view/58574 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Walter Benjamin Dream Childhood Autobiography Sueño Infancia Autobiografía Sonho Infância Autobiografia |
| Resumo: | This article proposes an analysis of Walter Benjamin from his supposedly autobiographical writings Berlin Childhood: 1900 and Berlin Chronicle from a figure which Freud puts to us: that of the archaeologist, or, according to psychoanalysis, the one who digs out the memories. Thus, this archeologist of the moment presents himself by and in the dis-figuration of a language that already appears less as a means of transmitting communication than as a space where his dreams and daydreams are revealed. Finally, the power of the Benjamin Denkbilder is shown as a symptom of a modernity without a north and as a falsepromise of the history of rationality and progress. |
|---|