Descarga acústico-visual e temporalidades em cena: a fundação de uma tradição pela Banda Calypso
The purpose of this paper is to discuss the proposal to found a tradition of popular music made by Banda Calpyso in its 15-year commemorative DVD. Therefore, we seek to resignify the concept of “acoustic release “ in order to understand the peculiarities of the discourse engendered by this group, es...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/68989 |
| Acceso en línea: | https://doi.org/10.1590/1982-25542019441661 http://hdl.handle.net/1843/68989 https://orcid.org/0000-0002-5125-5957 https://orcid.org/0000-0001-6939-7542 https://orcid.org/0000-0002-0547-9896 |
| Access Level: | acceso abierto |
| Palabra clave: | Música popular Banda Calypso Brega Melodrama Tradição Música Brega (Música) Tradição |
| Sumario: | The purpose of this paper is to discuss the proposal to found a tradition of popular music made by Banda Calpyso in its 15-year commemorative DVD. Therefore, we seek to resignify the concept of “acoustic release “ in order to understand the peculiarities of the discourse engendered by this group, especially in the questioning of established academic traditions. Then, we analyze the visual and sound mechanisms triggered by Calypso to configure specific temporalities. Our proposition is that the “brega”, understood as a reference to a melodramatic matrix, can manage to unite seemingly disconnected times and becomes a guiding axis of the narrative. |
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