Entre a heresia e a reprodução: em busca do cinema goiano
The aim of this dissertation is to understand the identity dynamics which mark the contemporary movie universe of Goias. The ethnography‟s use as a method allows me to focus the attention on the everyday social processes that shift the constituents of that social space today. Thus I seek to understa...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Repositório Institucional da UFG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.bc.ufg.br:tede/3300 |
| Acceso en línea: | http://repositorio.bc.ufg.br/tede/handle/tede/3300 |
| Access Level: | acceso abierto |
| Palabra clave: | Identidade Etnografia Cinema Goiás Identity Ethnography CIENCIAS HUMANAS::ANTROPOLOGIA |
| Sumario: | The aim of this dissertation is to understand the identity dynamics which mark the contemporary movie universe of Goias. The ethnography‟s use as a method allows me to focus the attention on the everyday social processes that shift the constituents of that social space today. Thus I seek to understand the meanings that guide the symbolic struggle waged by social actors who, throughout practices, discourses and strategies, end up adding identity characters to the Goias cinematographic field. To this end, I reflect on how the actors in this field act to (re)construct and legitimize representations that elect such characters. I consider the inherent nuances to the local and broader contexts, from the idea that identity is fundamentally dynamic and relational. |
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