A reatualização do mito grego de Orfeu por Camus
The present research has as object to analyze how the greek myth Orpheus was modernized by Marcel Camus film Black Orpheus. We took the approach theoretically defined as parody, specially the carnavalesque and grotesque effects in the light of Mikhail Bakhtin in The popular culture in the Middle Age...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2007 |
| País: | Brasil |
| Recursos: | Universidade Presbiteriana Mackenzie (MACKENZIE) |
| Repositorio: | Repositório Digital do Mackenzie |
| Idioma: | portugués |
| OAI Identifier: | oai:dspace.mackenzie.br:10899/25349 |
| Acesso em linha: | http://dspace.mackenzie.br/handle/10899/25349 |
| Access Level: | acceso abierto |
| Palavra-chave: | carnavalização dialogismo grotesco mito paródia carnavalesque dialogism grotesque myth parody CNPQ:: |
| Resumo: | The present research has as object to analyze how the greek myth Orpheus was modernized by Marcel Camus film Black Orpheus. We took the approach theoretically defined as parody, specially the carnavalesque and grotesque effects in the light of Mikhail Bakhtin in The popular culture in the Middle Ages and Renaissance - the context by Francois Rabelais and Linda Hutcheon in A Theory of Parody. Furthermore, we will mention theoretical concepts referring to myth by Mircea Eliade. |
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