Origami, a folding cinema
This text addresses the creative process of the short film Origami (2019), transcreated of the micro tale Devir. The case study is subsidized by Genetic Criticism (SALLES, 2008), in theory of Transcriation (CAMPOS, 2011) and in the thought of Deleuze about the Dobra. Amalgamating the concept of orig...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Palíndromo (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.udesc.br:article/16384 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/palindromo/article/view/16384 |
| Access Level: | acceso abierto |
| Palabra clave: | cinema de dobraduras origami processo criativo transcriação Folding cinema Origami Creative Process Transcreation Cinéma pliant Processus créatif Transcréation |
| Sumario: | This text addresses the creative process of the short film Origami (2019), transcreated of the micro tale Devir. The case study is subsidized by Genetic Criticism (SALLES, 2008), in theory of Transcriation (CAMPOS, 2011) and in the thought of Deleuze about the Dobra. Amalgamating the concept of origami from design to cinema, folding cinema is obtained. |
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