“Italiana nell’arte, americana negli affari”: Clara Weiss and the operetta industry between Italy and South America
Between the last decade of the 19th century and the first ones of the 20th century, a large number of Italian operetta companies crossed the Atlantic to explore the South American theatre market, formed largely by an immigrant audience. On these tours, many artists ended up settling in the New World...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Uberlândia (UFU) |
| Repositorio: | ArtCultura (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.seer.ufu.br:article/73167 |
| Acceso en línea: | https://seer.ufu.br/index.php/artcultura/article/view/73167 |
| Access Level: | acceso abierto |
| Palabra clave: | Clara Weiss opereta imigração italiana na América do Sul operetta Italian immigration do South America |
| Sumario: | Between the last decade of the 19th century and the first ones of the 20th century, a large number of Italian operetta companies crossed the Atlantic to explore the South American theatre market, formed largely by an immigrant audience. On these tours, many artists ended up settling in the New World. This was the case of Clara Weiss, an Italian actress-singer who became capocomic in South America, but remained closely linked to the Italian operettistic world, establishing a bridge between the two universes. |
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