O flâneur dostoiévskiano: errância e anonimato na capital russa do século XIX
Agent of a complex form of subjectivity which is the product of an overly psychological atmosphere responsible to keep him isolated from the other modern city-dwellers, the flâneur is, according to this bibliographical research, considered as an important reading key for the modernization of Europea...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | RUS (São Paulo) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/190683 |
| Acceso en línea: | https://revistas.usp.br/rus/article/view/190683 |
| Access Level: | acceso abierto |
| Palabra clave: | Fiódor Dostoiévski Flâneur Modernidade Literatura russa moderna Herói moderno Dostoevsky Modernity Modern russian literature Modern literary hero |
| Sumario: | Agent of a complex form of subjectivity which is the product of an overly psychological atmosphere responsible to keep him isolated from the other modern city-dwellers, the flâneur is, according to this bibliographical research, considered as an important reading key for the modernization of Europeans cities. Afterwards, succeeding the reasoning about the social nineteenth-century literary phenomenon production, the study dives into the ideal conditions to takes into account Dostoevsky’s flâneur from Poor People, White Nights, the Landlady, Humiliated and Insulted and Crime and Punishment: the most capable to cover, by himself, the conflicts, contradictions, perspectives and possibilities of a such peculiar time fixed into him as a new and disturbing relationship with the modern city. |
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