From ashes to glitter:queers that sparkle in biographematical reading and writing
From a biographematical perspective, as Roland Barthes’ proposition (1990), this paper proposes a homoerotic reading of the biographical journalistic narrative “Manuel nunca dijo adiós” (“Manuel never said goodbye”), written by Tomás Eloy Martínez, and of the script La tajada (The slice), written by...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Letras (Santa Maria. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/37310 |
| Acceso en línea: | https://periodicos.ufsm.br/letras/article/view/37310 |
| Access Level: | acceso abierto |
| Palabra clave: | Espaço biográfico Homoerotismo Manuel Puig Biographical space Homoerotism |
| Sumario: | From a biographematical perspective, as Roland Barthes’ proposition (1990), this paper proposes a homoerotic reading of the biographical journalistic narrative “Manuel nunca dijo adiós” (“Manuel never said goodbye”), written by Tomás Eloy Martínez, and of the script La tajada (The slice), written by Manuel Puig, seeking to detect vestiges and small details of homoerotically inclined identities and subjectivities. Thus, in scenes of flirting, childhood flashes and memories of great icons, the revealed biographemes constitute a space for discussing representations of sexual dissidence and the plurality of agency, ways of reading, being, living and understanding the world. |
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