WHO IS IN THIS MOVIE? THE QUESTION OF AUTORSHIP IN CINEMA
This article discusses the problem of authorship in film, focusing attention on thepolitique des auteurs of François Truffaut. They criticise up the excesses of political, but while the author considered to be a primary agent structuring in the constitution of the film. This articleshows...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/3093 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/3093 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema Autoria Cultura de massa. |
| Sumario: | This article discusses the problem of authorship in film, focusing attention on thepolitique des auteurs of François Truffaut. They criticise up the excesses of political, but while the author considered to be a primary agent structuring in the constitution of the film. This articleshows that the cinema of mass, focuses on kitsch, seeks an erasure marks of copyright, making the film public opinion to the reality filmed. In the cinema of art created by the assumption is notonly an aesthetic problem, since it depends on an ethical and political attitude. |
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