Brazilianness, enchantment and resistance: silence and this “thing of another order”
From a discursive perspective that intersects/questions discourses sustained in coloniality, it seems unavoidable to us the concept of silence elaborated by Orlandi (1992) to compose a reflection that seeks the movements of domination and the practices of resistance around brazilianness. Thus, we pl...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (Unicamp) |
| Repositorio: | Línguas e Instrumentos Linguísticos (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8671418 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/lil/article/view/8671418 |
| Access Level: | acceso abierto |
| Palabra clave: | Discurso Brasilidade Silêncio Resistência Poético Discourse Brazilianness Silence Resistance Poetic |
| Sumario: | From a discursive perspective that intersects/questions discourses sustained in coloniality, it seems unavoidable to us the concept of silence elaborated by Orlandi (1992) to compose a reflection that seeks the movements of domination and the practices of resistance around brazilianness. Thus, we place the notion of silence at the theoretical-political crossroads that seeks possible paths in the face of the traces of coloniality (Simas, 2019; Gonzalez [1984] 2020; Mbembe [2013] 2018). Such a gesture seems to open the paths to meanings whose forms point both to colonial/contemporary practices of violence, silencing, and oblivion, and to other movements that pass through the enchantment of the singing, the “giras”, the dancing bodies, the games, the drums, of a brazilianness spoken in a different tone. |
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