The search theme in Alice Munro and Pedro Almodóvar: female characters
This article aims to reflect on the poetic images of the feminine, from the “theme of the search”, in the work of the Canadian writer Alice Ann Munro, more specifically in three short stories in the book Fugitive (2014) and the filmic transposition of these tales, by Pedro Almodóvar Caballero in the...
| Autores: | , |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Recursos: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/23284 |
| Acesso em linha: | https://e-revista.unioeste.br/index.php/travessias/article/view/23284 |
| Access Level: | acceso abierto |
| Palavra-chave: | Alice Munro Pedro Almodóvar Poetic Images Search Theme. Imagens Poéticas Temática da Busca. |
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The search theme in Alice Munro and Pedro Almodóvar: female characters A temática da busca em Alice Munro e Pedro Almodóvar: personagens femininas |
| title |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| spellingShingle |
The search theme in Alice Munro and Pedro Almodóvar: female characters Gilnek, Amanda Caldeira Alice Munro Pedro Almodóvar Poetic Images Search Theme. Alice Munro Pedro Almodóvar Imagens Poéticas Temática da Busca. |
| title_short |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| title_full |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| title_fullStr |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| title_full_unstemmed |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| title_sort |
The search theme in Alice Munro and Pedro Almodóvar: female characters |
| dc.creator.none.fl_str_mv |
Gilnek, Amanda Caldeira Alves, Lourdes Kaminski |
| author |
Gilnek, Amanda Caldeira |
| author_facet |
Gilnek, Amanda Caldeira Alves, Lourdes Kaminski |
| author_role |
author |
| author2 |
Alves, Lourdes Kaminski |
| author2_role |
author |
| dc.subject.por.fl_str_mv |
Alice Munro Pedro Almodóvar Poetic Images Search Theme. Alice Munro Pedro Almodóvar Imagens Poéticas Temática da Busca. |
| topic |
Alice Munro Pedro Almodóvar Poetic Images Search Theme. Alice Munro Pedro Almodóvar Imagens Poéticas Temática da Busca. |
| description |
This article aims to reflect on the poetic images of the feminine, from the “theme of the search”, in the work of the Canadian writer Alice Ann Munro, more specifically in three short stories in the book Fugitive (2014) and the filmic transposition of these tales, by Pedro Almodóvar Caballero in the movie Juliet (2016). From the book, the selected stories were: "Occasion", "In a moment" and "Silence". These tales function as intertexts in Almodóvar's filmography. For the development of the article, we sought theoretical, critical and methodological support in comparative studies in literature and other arts, intermediate studies and studies on the theme of travel as existential displacements of female characters, which in their erasures configure the “theme of search ”, contemplating other potent derivations for literary creation as well as for filmic creation, for example, images of silence, archetypal images of the feminine, childhood memories, generating a movement of departures and arrivals rich in displacements of the feminine self. The study methodology used here allows us to reflect on the processes of intermediary and transcreation of the literary narrative to the filmic narrative, analyzing the basic operations of the filmic construction, which will result in the expansion and transformation of the literary sign. It has as theoretical bases Balogh (2005), Walter Benjamin (2010), Luis Claudio Costa (2010), Isla Duncan (2011), Michelle Gadpaille (1988), Brad Hooper (2008), George Woodcok (1986), Claus Clüver (2006), Santiago Kovadloff (2003), Elisabeth Badinter (1980), Mikhail Bakhtin (1996), among others. |
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2019 |
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2019-12-26 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://e-revista.unioeste.br/index.php/travessias/article/view/23284 |
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https://e-revista.unioeste.br/index.php/travessias/article/view/23284 |
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por |
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por |
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https://e-revista.unioeste.br/index.php/travessias/article/view/23284/15090 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Unioeste |
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Unioeste |
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Travessias; Vol. 13 No. 3 (2019); e23284 Travessias; Vol. 13 Núm. 3 (2019); e23284 Travessias; v. 13 n. 3 (2019); e23284 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (UNIOESTE) instacron:UNIOESTE |
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Universidade Estadual do Oeste do Paraná (UNIOESTE) |
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UNIOESTE |
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Travessias (Cascavel. Online) |
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Travessias (Cascavel. Online) |
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Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE) |
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revista.travessias@unioeste.br |
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1853666373359632384 |
| spelling |
The search theme in Alice Munro and Pedro Almodóvar: female charactersA temática da busca em Alice Munro e Pedro Almodóvar: personagens femininasAlice MunroPedro AlmodóvarPoetic ImagesSearch Theme.Alice MunroPedro AlmodóvarImagens PoéticasTemática da Busca.This article aims to reflect on the poetic images of the feminine, from the “theme of the search”, in the work of the Canadian writer Alice Ann Munro, more specifically in three short stories in the book Fugitive (2014) and the filmic transposition of these tales, by Pedro Almodóvar Caballero in the movie Juliet (2016). From the book, the selected stories were: "Occasion", "In a moment" and "Silence". These tales function as intertexts in Almodóvar's filmography. For the development of the article, we sought theoretical, critical and methodological support in comparative studies in literature and other arts, intermediate studies and studies on the theme of travel as existential displacements of female characters, which in their erasures configure the “theme of search ”, contemplating other potent derivations for literary creation as well as for filmic creation, for example, images of silence, archetypal images of the feminine, childhood memories, generating a movement of departures and arrivals rich in displacements of the feminine self. The study methodology used here allows us to reflect on the processes of intermediary and transcreation of the literary narrative to the filmic narrative, analyzing the basic operations of the filmic construction, which will result in the expansion and transformation of the literary sign. It has as theoretical bases Balogh (2005), Walter Benjamin (2010), Luis Claudio Costa (2010), Isla Duncan (2011), Michelle Gadpaille (1988), Brad Hooper (2008), George Woodcok (1986), Claus Clüver (2006), Santiago Kovadloff (2003), Elisabeth Badinter (1980), Mikhail Bakhtin (1996), among others.O presente artigo visa refletir sobre as imagens poéticas do feminino, a partir da “temática da busca”, na obra da escritora canadense Alice Ann Munro, mais especificamente em três contos presentes no livro Fugitiva (2014) e a transposição fílmica desses contos, por Pedro Almodóvar Caballero, no filme Julieta (2016). Do livro, os contos selecionados foram: “Ocasião”, “Daqui a pouco” e “Silêncio”. Estes contos funcionam como intertextos na filmografia de Almodóvar. Para desenvolvimento do artigo, buscou-se apoio teórico, crítico e metodológico nos estudos comparados em literatura e outras artes, nos estudos intermídias e nos estudos sobre o tema da viagem como deslocamentos existenciais das personagens femininas, que em suas errâncias configuram a “temática da busca”, contemplando outras derivações potentes para a criação literária e também para a criação fílmica, por exemplo, imagens do silêncio, imagens arquetípicas do feminino, memórias de infância, gerando um movimento de partidas e chegadas ricos em deslocamentos do eu feminino. A metodologia de estudos, aqui empregada, permite refletir sobre os processos de intermidialiadades e transcriação da narrativa literária à narrativa fílmica, analisando as operações básicas da construção fílmica, que resultarão na expansão e transformação do signo literário. Tem-se como base teórica Balogh (2005), Walter Benjamin (2010), Luis Claudio Costa (2010), Isla Duncan (2011), Michelle Gadpaille (1988), Brad Hooper (2008), George Woodcok (1986), Claus Clüver (2006), Santiago Kovadloff (2003), Elisabeth Badinter (1980), Mikhail Bakhtin (1996) entre outros.Unioeste2019-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/23284Travessias; Vol. 13 No. 3 (2019); e23284Travessias; Vol. 13 Núm. 3 (2019); e23284Travessias; v. 13 n. 3 (2019); e232841982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEporhttps://e-revista.unioeste.br/index.php/travessias/article/view/23284/15090Copyright (c) 2019 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessGilnek, Amanda CaldeiraAlves, Lourdes Kaminski2020-12-03T14:32:24Zoai:ojs.e-revista.unioeste.br:article/23284Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-03T14:32:24Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
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15,301603 |