Arte ou bugiganga? a estética africana da coleção perseverança
There are ashes, blood, oils, ritual smell. There are foreign substances and materials. Thereis a wonder. This article is built from the perspective ofthat which is still troubling: are theritual objects of African-based yards (rituals) of art? From that question, we will go through the history of t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal de Ouro Preto (UFOP) |
| Repositorio: | Artefilosofia |
| Idioma: | portugués |
| OAI Identifier: | oai:pp.www.periodicos.ufop.br:article/2195 |
| Acceso en línea: | https://periodicos.ufop.br/raf/article/view/2195 |
| Access Level: | acceso abierto |
| Palabra clave: | Art African Aesthetic Collection Shango Break Arte Estética africana Coleção Perseverança Quebra de Xangô |
| Sumario: | There are ashes, blood, oils, ritual smell. There are foreign substances and materials. Thereis a wonder. This article is built from the perspective ofthat which is still troubling: are theritual objects of African-based yards (rituals) of art? From that question, we will go through the history of the Perseverance Collection, which originated from an episode of policeforce seazure in Alagoas, in 1912. From this entanglement, we will show that the memories of the African are found in the making and in the symbols that form the resignified African aesthetic, which is still seen by many as “trinkets” of religious grounds [terreiros] |
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