"Fala da Minha Ideia!": Mulheres MC's em Batalhas de Hip Hop

This article aims to discuss the participation of women in MC battles. Battles are improvised rhyme competitions (freestyle) that are part of the Hip Hop movement and are one of the ways in which rap is presented. Qualitative exploratory research was conducted, using YouTube as a database to search...

ver descrição completa

Detalhes bibliográficos
Autores: de Oliveira Silva, Márcia Francisca, Afonso do Nascimento, Adriano Roberto, da Silva Costa, Luciana Célia, Guimarães, Lucas Eduardo
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2025
País:Brasil
Recursos:Universidade do Estado do Rio de Janeiro (UERJ)
Repositorio:Estudos e Pesquisas em Psicologia (Online)
Idioma:portugués
OAI Identifier:oai:ojs.www.e-publicacoes.uerj.br:article/83967
Acesso em linha:https://www.e-publicacoes.uerj.br/revispsi/article/view/83967
Access Level:acceso abierto
Palavra-chave:batalhas de MC's
gênero
juventude
Hip Hop
MC battles
gender
youth
batallas de MC's
género
juventud
Descrição
Resumo:This article aims to discuss the participation of women in MC battles. Battles are improvised rhyme competitions (freestyle) that are part of the Hip Hop movement and are one of the ways in which rap is presented. Qualitative exploratory research was conducted, using YouTube as a database to search for videos of competitions in which the opponents were a man and a woman. Five videos were selected, one from each region of the country. The gender perspective was used as the category of analysis and content analysis as the method. In addition, images from the videos of the battles were considered with the objective of following the public's reactions to the rhymes. It was found that both young men and women reinforced stereotypical gender roles, even when the young women confronted the machismo of their opponents. It was also found that, in a space constructed from a male perspective, the presence of women is subversive, since many of them question the format of the competition and the sexist attacks directed at them. From this discussion, we hope to contribute to the construction of the knowledge produced about the participation of women in the different elements of Hip Hop culture, a predominantly young movement.