Meeting in oporto
This article analyzes two artistic interventions carried out in a public space in the city of Oporto, which coincided chronologically but, in their diversity, present common points such as the openness to participation and inclusion and the coexistence of opposite poles of sign + and – in a tension...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Revista Visuais |
| Idioma: | portugués |
| OAI Identifier: | oai:inpec.econtents.bc.unicamp.br:article/16208 |
| Acceso en línea: | https://econtents.bc.unicamp.br/inpec/index.php/visuais/article/view/16208 |
| Access Level: | acceso abierto |
| Palabra clave: | Cidade Criação Acção Ruínas Memória City Creation Action Ruins Memory Ciudad Creación Acción Ruinas Memoria |
| Sumario: | This article analyzes two artistic interventions carried out in a public space in the city of Oporto, which coincided chronologically but, in their diversity, present common points such as the openness to participation and inclusion and the coexistence of opposite poles of sign + and – in a tension between the wild landscape and the urban ± wild. Both, in their specificities, summoned the community character, critical thinking and the capacity for action and achievement. At the intersection of these projects, the mediation put into practice by ESE. |
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