Turning Painting into an Essential Home – Four Artists between two Worlds
In the thirties and forties of the 20thcentury many Jewish painters, sculptors, graphic artists, illustrators and engravers fled the Nazi persecutions to Brazil. The majority of them was influenced by the multiple modernistic repertories e movements in Europe. By their activity and works they contri...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/14239 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14239 |
| Access Level: | acceso abierto |
| Palabra clave: | Exílio Refugiados de nazismo Arte brasileira Exile Refugees from Nazism Brazilian Art |
| Sumario: | In the thirties and forties of the 20thcentury many Jewish painters, sculptors, graphic artists, illustrators and engravers fled the Nazi persecutions to Brazil. The majority of them was influenced by the multiple modernistic repertories e movements in Europe. By their activity and works they contributed to consolidate the modern art in Brazilian art which was dominated by the academic art until then. The refugees Agi Straus, Alice Brill, Gisela Eichbaum e Eleonore Koch who came to Brazil as adolescent or child made successful careers as artists. In their works of art they combined elements of their German-Jewish cultural heritage as well as aspects of the Brazilian formation and experience. |
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