Artemisias: Works of Artemisia Gentileschi
Aiming to understand the historical figure of Artemisia Gentileschi (1593-1653), based on studies of the life and work of the Italian painter, this article analyzes the construction of the image of Artemisia by herself, having as object her work Self-portrait as the allegory of Painting (1638-1639)....
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Recursos: | Universidade Presbiteriana Mackenzie (UPM) |
| Repositorio: | Cadernos de pós graduação em letras (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.editorarevistas.mackenzie.br:article/14679 |
| Acesso em linha: | https://editorarevistas.mackenzie.br/index.php/cpgl/article/view/14679 |
| Access Level: | acceso abierto |
| Palavra-chave: | Artemísia Figura histórica Intermidialidade Artemisia Historical figure Intermediality |
| Resumo: | Aiming to understand the historical figure of Artemisia Gentileschi (1593-1653), based on studies of the life and work of the Italian painter, this article analyzes the construction of the image of Artemisia by herself, having as object her work Self-portrait as the allegory of Painting (1638-1639). Furthermore, the construction of the character Artemisia, by Susan Vreeland (2010), in The passion of Artemisia (2010), a novel that became a supplement to the artist’s story and can be interpreted based on studies on intermediality, analyzing the relationship between image and text. |
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