Autonomy in works endowed with artificial intelligence
This article proposes a synthetic reflection on the concept of autonomy, developed from its philosophical and scientific foundations, and then examined in the perspicacity of art. Two works are taken as object of study: Oscar by Catherine Ikam and Louis Fléri, and PostPoète by Léopold Dumond. We sta...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/21563 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/revistapos/article/view/21563 |
| Access Level: | acceso abierto |
| Palavra-chave: | Autonomia Inteligência artificial Arte Autonomy Artificial intelligence Art Autonomía Inteligencia artificial El arte |
| Resumo: | This article proposes a synthetic reflection on the concept of autonomy, developed from its philosophical and scientific foundations, and then examined in the perspicacity of art. Two works are taken as object of study: Oscar by Catherine Ikam and Louis Fléri, and PostPoète by Léopold Dumond. We start from the realization that the use of artificial intelligence and state-of-the-art technology in art produces singular and complex works, considered as achievements of recent scientific advances. However, we will show that at the cultural level, they dialogue with ideas that perpetuate the human imagination since antiquity, and that have already inspired several pictorial and literary works. |
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