Repercussões de Brecht, o pós-dramático e as novas tecnologias em Máquina de Pinball.
This paper alms to investigate the repercussion of epic-dialectical theater, mainly in the matter of distance effect achieved through irony, allied to issues raised by the post-dramatic theater. To know: the performatic, the new technologies and the new ways of spectacular reception in a specific wo...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/JSSS-84RGHH |
| Acceso en línea: | http://hdl.handle.net/1843/JSSS-84RGHH |
| Access Level: | acceso abierto |
| Palabra clave: | Máquina de Pinball pós-dramático repercussões Teatro (Literatura) História e crítica Teatro (Literatura) Brasil Brecht, Bertolt, 1898-1956 |
| Sumario: | This paper alms to investigate the repercussion of epic-dialectical theater, mainly in the matter of distance effect achieved through irony, allied to issues raised by the post-dramatic theater. To know: the performatic, the new technologies and the new ways of spectacular reception in a specific work, which is the play Máquina de Pinball (Pinball Machine), presented at 2008 in Belo Horizonte, Brazil. |
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