Carnivalization and grotesque in the miniseries Amorteamo: an analysis of productions of meaning
The article presents an analysis of the verbal-visual discourse of the Brazilian miniseries Amorteamo (Globo TV, 2015) with the objective of studying the meanings produced by audiovisual materiality and its dialogic relations in diegesis. The discussion is based on Bakhtin’s language studies and on...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Associação Nacional dos Programas de Pós-Graduação em Comunicação |
| Repositorio: | E-Compós |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-compos.org.br:article/1862 |
| Acceso en línea: | https://www.e-compos.org.br/e-compos/article/view/1862 |
| Access Level: | acceso abierto |
| Palabra clave: | Produção de sentido. Carnavalização e grotesco. Ficção televisiva. Minissérie Amorteamo. Producción de sentido. Grotesco y Carnivalización. Ficción televisiva. Miniserie Amorteamo. Production of meaning. Grotesque and the carnivalization. Television fiction. Miniseries Amorteamo. |
| Sumario: | The article presents an analysis of the verbal-visual discourse of the Brazilian miniseries Amorteamo (Globo TV, 2015) with the objective of studying the meanings produced by audiovisual materiality and its dialogic relations in diegesis. The discussion is based on Bakhtin’s language studies and on Analysis of Moving Images. The analysis shows the grotesque and the carnivalization cosmovision as the articulating axis of the verbal-visual discourse in the images of the opening credits, in the construction of characters and in the scenic sequences. The analysis results suggest not only the hybridization of genders, but also the tensions between hegemonic and popular aesthetic creation regimes. |
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