Expelling herself: the first studies for Eco
I present, in this visual essay, a sequence of the first six drag-photoshoots that constitute the Studies for Eco series. These self-portraits marks processes of dilution and construction of my identities as Eco as I begin my journey in drag art, bringing different moments of scrutiny and tests on/a...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Revista Apotheke |
| Idioma: | portugués |
| OAI Identifier: | oai::article/22266 |
| Acceso en línea: | https://periodicos.udesc.br/index.php/apotheke/article/view/22266 |
| Access Level: | acceso abierto |
| Palabra clave: | Drag Performance Photography Self-portrait Fotografía Autorretrato Fotografia |
| Sumario: | I present, in this visual essay, a sequence of the first six drag-photoshoots that constitute the Studies for Eco series. These self-portraits marks processes of dilution and construction of my identities as Eco as I begin my journey in drag art, bringing different moments of scrutiny and tests on/about me that records the birth and transitions of this persona that leaves the paper and canvas where it used to live to now inhabit the world. I experiment different bodies and faces that are created from my memories, materials, music, experiences, stereotypes, books, memes and concepts indefinitely. In addition to these photoshoots, I visit the first nuances and efforts of Eco to show herself through drawings in our home phone book when we were nine years old - a fetus that is born in the drag-photoshoots sixteen years later. The visual essay ends with a letter received by Eco, offering possible interpretations and bridges between two subjectivities, two sensitivities, two stories that intersect in the same eagerness to continue existing and resisting. |
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