Genetics of a Reenactment in Jan Fabre’s Work
This article proposes a selective path through the process of recreation of two spectacles by Jan Fabre: This is theatre like it was to be expected and foreseen (1982) and The power of theatrical madness (1984). The author – who followed closely the work of the company from April to July 2012 – focu...
| Autor: | |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/37145 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/37145 |
| Access Level: | acceso abierto |
| Palabra clave: | Jan Fabre Génétique Théâtrale Reenactment Répétitions Théâtre Post-dramatique Genética Teatral Ensaios Teatro Pós-dramático Theatrical Genetics Rehearsals Postdramatic Theatre |
| Sumario: | This article proposes a selective path through the process of recreation of two spectacles by Jan Fabre: This is theatre like it was to be expected and foreseen (1982) and The power of theatrical madness (1984). The author – who followed closely the work of the company from April to July 2012 – focuses on the small differences between the two versions of the works, analys- ing the modalities and reasons of the changes. The dissertation examines the work of the director and the performers, at the same time as it questions the notions of theatrical genetics and reenactment. |
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