Mary Queen of Scots, Denim in the Josie Rourke biopic
The aim of this article is to analyse some of the costumes in director Josie Rourke's film Mary Queen of Scots, designed by costume designer Alexandra Byrne. The aim is to investigate their reconfiguration in cinema from the perspective of contemporary raw materials in a period film of the biop...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/1759 |
| Acceso en línea: | https://dobras.emnuvens.com.br/dobras/article/view/1759 |
| Access Level: | acceso abierto |
| Palabra clave: | Mary Stuart Elizabeth I costume denim historical drama figurino jeans cinema |
| Sumario: | The aim of this article is to analyse some of the costumes in director Josie Rourke's film Mary Queen of Scots, designed by costume designer Alexandra Byrne. The aim is to investigate their reconfiguration in cinema from the perspective of contemporary raw materials in a period film of the biopic genre. As a juxtaposition between the costumes of two different characters, it also seeks to briefly present some Tudor portrait paintings and extract meanings about the process of creating the costumes based on reinterpretations that promote a change in their textile materiality, conferring authenticity, as well as verifying the cultural leaps that can exist between them, in the representation of the power relations expressed in the plot. |
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