(In)docile bodies: intersections of artistic life in biopower
In this article, I intend to reflect, starting from the understanding of the last Foucault about Baudelaire, that the cynical lifestyle, which the French philosopher found among the Greeks, is something rare and singular among the moderns and, therefore, the artistic life, as presented in Le courage...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica do Paraná (PUC-PR) |
| Repositorio: | Revista de Filosofia Aurora (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.pucpr.br:article/28914 |
| Acesso em linha: | https://periodicos.pucpr.br/aurora/article/view/28914 |
| Access Level: | acceso abierto |
| Palavra-chave: | Foucault. Baudelaire. Vida artista. Biopoder. |
| Resumo: | In this article, I intend to reflect, starting from the understanding of the last Foucault about Baudelaire, that the cynical lifestyle, which the French philosopher found among the Greeks, is something rare and singular among the moderns and, therefore, the artistic life, as presented in Le courage de la vérité, becomes essential insofar as it would be the strongest example, in modernity, of struggle and resistance. Even so, what I will try to show is that Foucault still seems to say how little Greek we moderns are, and our difficulty in making our lives works of art and, therefore, resisting the technologies of biopower. |
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