Aural re-presence
This article proposes a reflection on aspects of the documentation of performative works through sound, raising questions about material culture, ephemerality, and listening. Among the possibilities of documentation and accessibility for the perfomring arts, I discuss the role of listening in relati...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Revista Museologia & Interdisciplinaridade |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/33029 |
| Acceso en línea: | https://periodicos.unb.br/index.php/museologia/article/view/33029 |
| Access Level: | acceso abierto |
| Palabra clave: | Documentação sonora; Fones de ouvido; Registro binaural; Materialidade do efêmero; Documentação imersiva Documentación sonora; Auriculares; Registro binaural; Materialidad del efímero; Documentación inmersiva Documentation in sound; Headphones; Binaural recording; Materiality of the ephemeral; Immersive documentation. Documentacion sonore; Casque; Enregistrement binaural; Matérialité de l’éphémère; Documentation immersive |
| Sumario: | This article proposes a reflection on aspects of the documentation of performative works through sound, raising questions about material culture, ephemerality, and listening. Among the possibilities of documentation and accessibility for the perfomring arts, I discuss the role of listening in relation to the documentary record, mostly centered on visuality. Finally, I address the possibilities of recording through coding and the use of the binaural capture technique in conjunction with the use of headphones, as a means of immersive access to artistic performances through a three-dimensional listening experience. |
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