Poetics of Responsibility in the Latin American Cinema (1990-2011)
Based on the emergence of rationalization regarding Latin American motion pictures’ production, distribution, and exhibition in the last twenty-one years (1990-2011), and considering cinemas’ theory as social production, we are able to evoke the Washington Consensus consequences on the movies’ polit...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/1196 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1196 |
| Access Level: | acceso abierto |
| Palabra clave: | Audiovisual Poetics of responsibility Washington Consensus Latin America Poéticas da responsabilidade Consenso de Washington América Latina |
| Sumario: | Based on the emergence of rationalization regarding Latin American motion pictures’ production, distribution, and exhibition in the last twenty-one years (1990-2011), and considering cinemas’ theory as social production, we are able to evoke the Washington Consensus consequences on the movies’ political, economic, and aesthetic regimes as provokers of a poetics of responsability. In the representation field, for instance, the circunstances have been meant as a reduction of rethoric repertory (figures etc.) and seem to have set Latin American’s simbolic dependency of hegemonic audiovisualities. |
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