| Sumario: | In this work Beti Rabetti does some considerations about relationship between circus and theatre in the texts of Ariano Suassuna. She emphasizes that the comedy of the author has been “infected” by Greek tradition and traditions of the Italian comedy, that contained continual presence of stooges with masks and grotesque types. The author does a interesting analysis about some plays of Suassuna, while we can to find a study about the play Farsa da boa preguiça as primary fountain of research. Some essays of drama into comic spectacles are presented too. According this considerations, Rabetti affirms that the proposal of Suassuna’s theatre intends to construct a theatral art that is bonded by traditional collection of comic resources of Literature and occidental theatre, but, however, it is associated by scenic effects that are included in the context of the modern theatre.
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