Nine, Novena and writing in “The transparent bird”, by Osman Lins
This article aims to address the place of Nine, novena, published in 1966, in the literary trajectory of the Brazilian writer Osman Lins (1924-1978), as well as to verify how the writing theme is worked in one of the narratives that composes it, entitled “The transparent bird.” To this...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Signótica (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/40280 |
| Acceso en línea: | https://revistas.ufg.br/sig/article/view/40280 |
| Access Level: | acceso abierto |
| Palabra clave: | Nine novena “The transparent bird” writing. Nove “O pássaro transparente” escrita. Novena "O pássaro transparente" escrita |
| Sumario: | This article aims to address the place of Nine, novena, published in 1966, in the literary trajectory of the Brazilian writer Osman Lins (1924-1978), as well as to verify how the writing theme is worked in one of the narratives that composes it, entitled “The transparent bird.” To this end, it will be used the theoretical and critical assumptions by Andrade (1987), Nitrini (1987), Barthes (1987, 2004), Barbosa (1996), Paes (1994), Eco (2008), among others. It will be observed, in the short story, how everyday writing is approached through the presence of letters and the newspaper. The literary writing and the visual art are also present, through the theme of the frustrated poet, represented in the male character, and the preparation for an artistic trajectory, represented in the female character. |
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