THE TRAINING AS A TRAMPOLINE – INTERVIEW WITH CARLOS SIMIONI
In an informal and relaxed way, Carlos Simioni shares his experience and his deep knowledge of the actor’s art in a chat that brings us closer to this important moment in the history of theater and acting in Brazil. In this interview, Simioni tells us how he started the training and the creation of...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Cena (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/70140 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/cena/article/view/70140 |
| Access Level: | acceso abierto |
| Palabra clave: | Treinamento do Ator LUME Simioni Antropologia Teatral Actor’s Training Theater Antropology |
| Sumario: | In an informal and relaxed way, Carlos Simioni shares his experience and his deep knowledge of the actor’s art in a chat that brings us closer to this important moment in the history of theater and acting in Brazil. In this interview, Simioni tells us how he started the training and the creation of LUME in the 80’s and how all these techniques have evolved to this day. He visits his experience with Luis Otavio Burnier, Corporeal Mismesis, Clown and his personal training, including techniques such as Wind Dance, Samurai, and more recent ones such as Portal and Layers. This interview was performed and transcribed by Marcelo Teixeira on the 29th of August 2016 at the request of Cláudia Sachs, who prepared a series of questions to organize and direct the conversation with Simioni. |
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