O Libelo do povo: um incêndio em terras saquaremas
The first generation of romantic writers in the Brazilian Empire was strongly connected to a national project that wanted to exclude the majority of the people from political participation: Magalhães, Varnhagen and many others expressed themselves through writings that carried very conservative poli...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Em Tempo de Histórias (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/20012 |
| Acceso en línea: | https://periodicos.unb.br/index.php/emtempos/article/view/20012 |
| Access Level: | acceso abierto |
| Palabra clave: | Romantismo. Participação política. Nação. Romanticism Political participation Nation |
| Sumario: | The first generation of romantic writers in the Brazilian Empire was strongly connected to a national project that wanted to exclude the majority of the people from political participation: Magalhães, Varnhagen and many others expressed themselves through writings that carried very conservative political positions. Notwithstanding, one among the romantic writers of the 1830’s and the 1840’s was an enthusiast of radical political ideals that emerged from the French Revolution: his name was Francisco de Sales Torres Homem, he was a talented young man that saw the principle of popular sovereignty as a true possibility to be used to consolidate the State and the Brazilian nation. |
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