Rock art: the body culture of movement before Brazil
This investigation discusses the relationship between the body culture of movement and two rock art scenes located in the Parque Nacional Serra da Capivara, (Serra da Capivara National Park) - PNSC, in the state of Piauí, Brazil. The scenes depict a flic flac and a human pyramid, which have been acc...
| Autores: | , , , , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Movimento (Porto Alegre. Online) |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/126910 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/Movimento/article/view/126910 |
| Access Level: | acceso abierto |
| Palabra clave: | Flic Flac Acrobatics Rock Painting Culture Acrobacias Pintura Rupestre Cultura Acrobacia |
| Sumario: | This investigation discusses the relationship between the body culture of movement and two rock art scenes located in the Parque Nacional Serra da Capivara, (Serra da Capivara National Park) - PNSC, in the state of Piauí, Brazil. The scenes depict a flic flac and a human pyramid, which have been accepted in contemporaneity as gymnastics and acrobatics. An interdisciplinary theoretical apparatus based on Physical Education and its relationships with Archeology and Anthropology was used in the analysis. The analysis is based on inferences, as nothing guarantees that the hands that portrayed the scenes had the same intentions as the authors of the research. One of the findings understands that motor skills helped the daily demands of adversity for the survival of the group. In another point of view, based on the Ilinx concept, flic flac satisfies the search for a trance/vertigo vital to ritualistic liturgy, and the human pyramid serves the imperative task of consolidating cooperative bonds and trust between its members in a hostile environment. |
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