Movimento na composição musical: uma abordagem à luz do pensamento de Paul Klee e Gilles Deleuze
The composer, in speaking of his own compositional process, confronts a series of challenges. Constantly there is the threat of the intellectual and technical approach not attains the wealth experienced at a creative process. This work seeks position itself face these challenges, relating musical cr...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/AAGS-93SGYM |
| Acceso en línea: | http://hdl.handle.net/1843/AAGS-93SGYM |
| Access Level: | acceso abierto |
| Palabra clave: | Relações entre artes Captura de forças Composição Movimento Deleuze, Gilles, 1925-1995 Musica Klee, Paul, 1879-1940 Composição (Música) |
| Sumario: | The composer, in speaking of his own compositional process, confronts a series of challenges. Constantly there is the threat of the intellectual and technical approach not attains the wealth experienced at a creative process. This work seeks position itself face these challenges, relating musical creation and reflection from a multidisciplinary perspective that considers both the technical aspects as poetic aspects involved in artistic creation. Reflections of Deleuze and Klee on artistic creation establish a theoretical framework from which a set of six works of the author, written between 2010 and 2012, are discussed. The discussion will be focused on the concept capture of forces. |
|---|