CONVERGENCES BETWEEN THE SUBLIME AND THE GROTESQUE IN ROMANTIC ART
The aim of the present study is to enlight the concepts “The Sublime and The Grotesque” according to the historic period called Romantic, and correlations between them. These research is based on the philosophy of Edmund Burk, Friedrich Schiller and Victor Hugo, who were deeply involved in the histo...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Palíndromo (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.udesc.br:article/10457 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/palindromo/article/view/10457 |
| Access Level: | acceso abierto |
| Palabra clave: | Sublime Grotesco história da arte romantismo estética Grotesque art history romantic period aesthetic |
| Sumario: | The aim of the present study is to enlight the concepts “The Sublime and The Grotesque” according to the historic period called Romantic, and correlations between them. These research is based on the philosophy of Edmund Burk, Friedrich Schiller and Victor Hugo, who were deeply involved in the historical moment and approached the theme thoroughly. |
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