Uma arqueologia especulativa: os roteiros não filmados de Mário Peixoto
This essay analyzes the scripts from A alma, segundo Salustre and Outono: o jardim petrificado, both written by Mário Peixoto, but never finished or filmed. The plot and cinematic language signaled in the scripts showed some hidden aspects of Peixoto’s aesthetics that could not be perceived only in...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/162854 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/162854 |
| Access Level: | acceso abierto |
| Palabra clave: | Mário Peixoto Cinema brasileiro Estudos de roteiro Arqueologia das mídias Realismo especulativo Brazilian cinema Screenwriting studies Media archaeology Speculative realism |
| Sumario: | This essay analyzes the scripts from A alma, segundo Salustre and Outono: o jardim petrificado, both written by Mário Peixoto, but never finished or filmed. The plot and cinematic language signaled in the scripts showed some hidden aspects of Peixoto’s aesthetics that could not be perceived only in his film Limite. A speculative archeology is proposed to understand the role of unfilmed scripts in the theory and history of cinema and, more specifically, serving as a possible revision of the historiography of Brazilian cinema. |
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