Aspects of the Identitary Nomadism and the Bodies Without Organs in Nadav Lapid’s Synonymes
We will reflect upon the Israeli director Nadav Lapid’s movie Synonymes (2019), winner of the 69th Berlin International Film Festival’s Golden Bear, relating it to the thematic: production of transversal identities indicated by bodies without organs (CsO) (Deleuze and Guattari); Israeli’s political...
| Autores: | , |
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2020 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | português |
| OAI Identifier: | oai:periodicos.ufmg.br:article/25191 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/maaravi/article/view/25191 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Nadav Lapid Synonymes Cinema israelense Israeli Cinema |
| Resumo: | We will reflect upon the Israeli director Nadav Lapid’s movie Synonymes (2019), winner of the 69th Berlin International Film Festival’s Golden Bear, relating it to the thematic: production of transversal identities indicated by bodies without organs (CsO) (Deleuze and Guattari); Israeli’s political and subjective contemporary diaspora (Hall); symbolic capital’s critic transformation (Bourdieu); as well as the transcultural heterogeneous mobilities that conform the current Israeli society (Augé). |
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