What really matters in Décio Pignatari
What we intend with this essay is to highlight some aspects of Décio Pignatari's poetics that, to a large extent, singularize his textual path when confronted with a supposed serious-aesthetic style that would mark the production of concrete poets. The mixture of codes seen in his verbal and no...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Pernambuco (UFPE) |
| Repositorio: | Perspectiva Filosófica (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:oai.periodicos.ufpe.br:article/256184 |
| Acceso en línea: | https://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/256184 |
| Access Level: | acceso abierto |
| Palabra clave: | concretism contemporary poetry Décio Pignatari Godard signovo concretismo poesia contemporânea |
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What really matters in Décio PignatariO que Interessa em Décio Pignatariconcretismcontemporary poetryDécio PignatariGodardsignovoconcretismoDécio PignatariGodardpoesia contemporâneasignovoWhat we intend with this essay is to highlight some aspects of Décio Pignatari's poetics that, to a large extent, singularize his textual path when confronted with a supposed serious-aesthetic style that would mark the production of concrete poets. The mixture of codes seen in his verbal and non-verbal poems, such as the necessarily erudite humor without varnish – since his interest in pop culture is notorious –, the priapeia imagery, the semiotic appetite almost pornographic, the unceremonious deal with the tradition, etc., give Pignatari's poetics a disposition for transactions with other sign forms. And it is from this perspective that we try to relate his language designer inventions with Jean-Luc Godard's anti-cinema whose filmography dissipates while disturbing the narrative faculty attributed to the seventh art. Both the poet and the filmmaker are creators of non-linearity, or as Pignatari might prefer to say, creators in search of the signovo.O que pretendemos com o presente ensaio é destacar alguns aspectos da poética de Décio Pignatari que, em boa medida, singularizam seu percurso textual quando confrontado com um suposto estilo sério-estético que marcaria a produção dos poetas concretos. A mistura de códigos verificada em seus poemas verbais e não-verbais, tais como o humor sem verniz necessariamente erudito – já que é notório seu interesse pela cultura pop –, a imagética priapeia, o apetite semiótico quase pornógrafo, o trato não cerimonioso com a tradição etc, conferem à poética de Pignatari uma disposição para as transações com outras formas sígnicas. E é desde essa perspectiva que procuramos relacionar suas invenções de designer de linguagem com o anticinema de Jean-Luc Godard cuja filmografia se dissipa enquanto perturba a faculdade narrativa atribuída à sétima arte. Ambos, o poeta e o cineasta, são criadores da não linearidade, ou como Pignatari talvez preferisse afirmar, criadores em busca do signovo.Universidade Federal de Pernambuco (UFPE)2022-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/25618410.51359/2357-9986.2022.256184Perspectiva Filosófica; Vol. 49 No. 4 (2022): Filosofia e Arte Contemporânea; 234-250Perspectiva Filosófica; Vol. 49 Núm. 4 (2022): Filosofía y arte contemporáneo; 234-250Perspectiva Filosófica; v. 49 n. 4 (2022): Filosofia e Arte Contemporânea; 234-2502357-99860104-6454reponame:Perspectiva Filosófica (Online)instname:Universidade Federal de Pernambuco (UFPE)instacron:UFPEporhttps://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/256184/42483Copyright (c) 2022 Ronald Augustoinfo:eu-repo/semantics/openAccessAugusto, Ronald2023-09-26T14:15:21Zoai:oai.periodicos.ufpe.br:article/256184Revistahttps://periodicos.ufpe.br/revistas/perspectivafilosofica/indexPUBhttps://periodicos.ufpe.br/revistas/perspectivafilosofica/oairevistaperspectivafilosofica@gmail.com2357-99860104-6454opendoar:2023-09-26T14:15:21Perspectiva Filosófica (Online) - Universidade Federal de Pernambuco (UFPE)false |
| dc.title.none.fl_str_mv |
What really matters in Décio Pignatari O que Interessa em Décio Pignatari |
| title |
What really matters in Décio Pignatari |
| spellingShingle |
What really matters in Décio Pignatari Augusto, Ronald concretism contemporary poetry Décio Pignatari Godard signovo concretismo Décio Pignatari Godard poesia contemporânea signovo |
| title_short |
What really matters in Décio Pignatari |
| title_full |
What really matters in Décio Pignatari |
| title_fullStr |
What really matters in Décio Pignatari |
| title_full_unstemmed |
What really matters in Décio Pignatari |
| title_sort |
What really matters in Décio Pignatari |
| dc.creator.none.fl_str_mv |
Augusto, Ronald |
| author |
Augusto, Ronald |
| author_facet |
Augusto, Ronald |
| author_role |
author |
| dc.subject.por.fl_str_mv |
concretism contemporary poetry Décio Pignatari Godard signovo concretismo Décio Pignatari Godard poesia contemporânea signovo |
| topic |
concretism contemporary poetry Décio Pignatari Godard signovo concretismo Décio Pignatari Godard poesia contemporânea signovo |
| description |
What we intend with this essay is to highlight some aspects of Décio Pignatari's poetics that, to a large extent, singularize his textual path when confronted with a supposed serious-aesthetic style that would mark the production of concrete poets. The mixture of codes seen in his verbal and non-verbal poems, such as the necessarily erudite humor without varnish – since his interest in pop culture is notorious –, the priapeia imagery, the semiotic appetite almost pornographic, the unceremonious deal with the tradition, etc., give Pignatari's poetics a disposition for transactions with other sign forms. And it is from this perspective that we try to relate his language designer inventions with Jean-Luc Godard's anti-cinema whose filmography dissipates while disturbing the narrative faculty attributed to the seventh art. Both the poet and the filmmaker are creators of non-linearity, or as Pignatari might prefer to say, creators in search of the signovo. |
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2022 |
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2022-10-27 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/256184 10.51359/2357-9986.2022.256184 |
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https://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/256184 |
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10.51359/2357-9986.2022.256184 |
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por |
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por |
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https://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/256184/42483 |
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Copyright (c) 2022 Ronald Augusto info:eu-repo/semantics/openAccess |
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Copyright (c) 2022 Ronald Augusto |
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openAccess |
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application/pdf |
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Universidade Federal de Pernambuco (UFPE) |
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Universidade Federal de Pernambuco (UFPE) |
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Perspectiva Filosófica; Vol. 49 No. 4 (2022): Filosofia e Arte Contemporânea; 234-250 Perspectiva Filosófica; Vol. 49 Núm. 4 (2022): Filosofía y arte contemporáneo; 234-250 Perspectiva Filosófica; v. 49 n. 4 (2022): Filosofia e Arte Contemporânea; 234-250 2357-9986 0104-6454 reponame:Perspectiva Filosófica (Online) instname:Universidade Federal de Pernambuco (UFPE) instacron:UFPE |
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Universidade Federal de Pernambuco (UFPE) |
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UFPE |
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Perspectiva Filosófica (Online) - Universidade Federal de Pernambuco (UFPE) |
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revistaperspectivafilosofica@gmail.com |
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