Indiscernible
This essay proposes a shift between environmental and human sciences in the word micrography, with a view to generating a methodological shift, such shift here is a double transversality, since it is, simultaneously, crossing and crossing. We think of a cartographic backside, based on a borderline o...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8665846 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8665846 |
| Access Level: | acceso abierto |
| Palabra clave: | Transversalidad Montaje Micrografia Transversality Assembly Micrography Transversalidade Montagem |
| Sumario: | This essay proposes a shift between environmental and human sciences in the word micrography, with a view to generating a methodological shift, such shift here is a double transversality, since it is, simultaneously, crossing and crossing. We think of a cartographic backside, based on a borderline object that is the analysis of life on a microscale. The relief that is produced in this conceptual unfolding we call micrograph, while the becoming of a concept, the movement of a concept originally used in laboratory analysis of microorganisms. However, here, in montages that dispose of micro and macro scales of images of particles that interact by intensities, movements and affections without representing them, but interweaving reflections in a heterogeneous medium. The focus is on the links between temporal matters. Virtualities that update themselves in singulars. The path is not totalizing or generalizable, but glimpses into densities that make up bodies in heteronomy. Thus, we scribble photographic montages, imperceptible particles that constitute the living and the dead without appeasing their rhythms and conflicts. |
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