Cinephilia in contemporary cinema: continuities and breakaways
Starting from the concepts of cinephilia and its historical background presented by the French reviewer and researcher Antoine de Baecque, this text intends to point out some distinctions between two kinds of cinephile: the classical one, who emerged more than fifty years ago, and the contemporary o...
| Authors: | , |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2012 |
| Country: | Brasil |
| Institution: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repository: | Revista FAMECOS: Mídia cultura e tecnologia |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/12327 |
| Online Access: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/12327 |
| Access Level: | Open access |
| Keyword: | Cinephile culture media Cinema Cinéfilo Cultura Medios Cine cultura mídia |
| Summary: | Starting from the concepts of cinephilia and its historical background presented by the French reviewer and researcher Antoine de Baecque, this text intends to point out some distinctions between two kinds of cinephile: the classical one, who emerged more than fifty years ago, and the contemporary one, who lives in a time when media and communication are both able to amplify and twist the bond between films and their specific spectatorships. |
|---|