The Realistic Acting Method as a Mechanism of Attenuation of the Actor’s Presence in Theatre and Cinema
We have analyzed the realistic acting methodology as a mechanism of attenuation of the actor’s presence. We consider that Stanislavski’s system constituted the first technical resolution to an old aspiration for the transparency of the scene toward the referent. For that, the realistic acting method...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/75413 |
| Acesso em linha: | https://seer.ufrgs.br/index.php/presenca/article/view/75413 |
| Access Level: | acceso abierto |
| Palavra-chave: | Acting Presence Realism Event Transparency Performance Présence Réalisme Événement Transparence |
| Resumo: | We have analyzed the realistic acting methodology as a mechanism of attenuation of the actor’s presence. We consider that Stanislavski’s system constituted the first technical resolution to an old aspiration for the transparency of the scene toward the referent. For that, the realistic acting method proposes the reduction of the disruptive nature of the public exhibition of the actor’s body and action through a series of procedures that will be analyzed in this paper. |
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