The island of Muipíti: memory in the poetry of Mozambican poets Rui Knopfli and Luís Carlos Patraquim

Poets Rui Knopfli and Luís Carlos Patraquim, both from Mozambique, are known for the way in which memory is configured in their poems. The poem “Muipíti”, published by Knopfli in A ilha de Próspero (1972), is based on his memories about the island of Mozambique, called Muipíti by the Macuas Africans...

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Detalles Bibliográficos
Autor: Pereira, Patrícia Resende
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Institución:Universidade Federal de Campina Grande (UFCG)
Repositorio:Revista Letras Raras
Idioma:portugués
OAI Identifier:oai:ojs2.revistas.editora.ufcg.edu.br:article/1945
Acceso en línea:https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1945
Access Level:acceso abierto
Palabra clave:Rui Knopfli
Luís Carlos Patraquim
Memory
African literature
Descripción
Sumario:Poets Rui Knopfli and Luís Carlos Patraquim, both from Mozambique, are known for the way in which memory is configured in their poems. The poem “Muipíti”, published by Knopfli in A ilha de Próspero (1972), is based on his memories about the island of Mozambique, called Muipíti by the Macuas Africans, before the arrival of the Portuguese. Indeed, it is noted that the poem in question aims to mix individual experiences with those of Mozambique, the country where the island was the former capital. Subsequently, in the section “Os barcos elementares”, published in Vinte e tal novas formulações e uma elegia carnívora (1991), Patraquim takes up Knopfli's poem in “Muiphíti”, whose spelling of the island's name now gains an “h” more. In the poetic text, it is noted that memory is, once again, the central point. However, it is evident that the poem aims to take up another, the onewritten by Knopfli, whom Patraquim pays homage to on other occasions. Therefore, the purpose of the communication is, from a theoretical-comparative perspective, to investigate the way memory is configured in the two proposed islands of Muipíti, Knopfli and Patraquim, considering the intertextual aspect that it involves the two poetic texts.