O corpo como princípio
The raw material of the circus show is the artist's body, as something at times sublime, at times grotesque. The sublime body, on the floor or in the heights, challenges, as a sort of spectacle, the laws of nature. Afterwards, the show is interrupted and the public is invaded by the relaxation...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2001 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/212621 |
| Acceso en línea: | http://dx.doi.org/10.1590/S0101-31732001000100007 http://hdl.handle.net/11449/212621 |
| Access Level: | acceso abierto |
| Palabra clave: | Circus clown laughter Circo palhaço riso |
| Sumario: | The raw material of the circus show is the artist's body, as something at times sublime, at times grotesque. The sublime body, on the floor or in the heights, challenges, as a sort of spectacle, the laws of nature. Afterwards, the show is interrupted and the public is invaded by the relaxation and the grotesquerie of the clowns. The circus show thus moves, with ease and mastery, between laughter and death. |
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