Way out: the religion of the end of religion, art of the end of art
In this essay, I wish to understand how it is possible to reject the sacralisation of art – and the denial of the museum as the place of worship of this new religion – taking as starting point an analysis of a religious movement which is notorious for having rejected ancient sacred beliefs, and den...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2018 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositório: | Rever (São Paulo. Online) |
| Idioma: | português |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/37372 |
| Acesso em linha: | https://revistas.pucsp.br/index.php/rever/article/view/37372 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Atheism. Anti-museum. Desacralization. Christianity. Kenosis. Emptiness Crença. Ateísmo. Anti-museu. Dessacralização. Cristianismo. Kenosis. Vazio |
| Resumo: | In this essay, I wish to understand how it is possible to reject the sacralisation of art – and the denial of the museum as the place of worship of this new religion – taking as starting point an analysis of a religious movement which is notorious for having rejected ancient sacred beliefs, and denied the elementary forms of ancient religion: Christianity. In Christianity, the subversion of the traditional religious exchange occurs from within the religious phenomenon itself – in this same way, by this journey’s end we shall better understand the anti-museum as an artistic movement within its own system: a proposed post-religious (post-artistic) relationship with the work of art. |
|---|