Sublime e pintura no primeiro esboço de Sistema de Fichte em comparação com Kant
The first aim of this paper is to present the doctrine of forms and colours in painting, formulated by Fichte in the posthumous writing Practical Philosophy. The second one is to draw a parallel between this doctrine and Kant's theory of beauty developed in the Critique of the Judgement. On the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/42868 |
| Acceso en línea: | https://doi.org/10.21555/top.v0i54.869 http://hdl.handle.net/1843/42868 |
| Access Level: | acceso abierto |
| Palabra clave: | Estética Kant, Immanuel, 1724-1804 Fichte, Johann Gottlieb, 1762-1814 |
| Sumario: | The first aim of this paper is to present the doctrine of forms and colours in painting, formulated by Fichte in the posthumous writing Practical Philosophy. The second one is to draw a parallel between this doctrine and Kant's theory of beauty developed in the Critique of the Judgement. On the one hand the paper will show that the similarities quite sticking, on the other hand it will reveal the peculiarity and originality of Fichte's doctrine. |
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