Ethics and Aesthetics in Two Polyphonic Novels: Uma certa paz and A caixa preta, by Amos Oz
Menuha Nehona, originally published in Israel in1982and released in Brazil only in 2010under the title Uma certa paz, the internationally acclaimed book by Amos Oz, focuses on the interval between the years1965and 1967, immediately prior to the Six Days War that modified the State of Israel in a rad...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/14120 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14120 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura israelense Território Amós Oz Israeli literature Territory |
| Sumario: | Menuha Nehona, originally published in Israel in1982and released in Brazil only in 2010under the title Uma certa paz, the internationally acclaimed book by Amos Oz, focuses on the interval between the years1965and 1967, immediately prior to the Six Days War that modified the State of Israel in a radical way. It was after this war that Israel developed a craving for the occupied territories and began to use military force as a means of achieving them. Violence and confrontation between the characters themselves and the society provides ethical questions that go beyond the thematic plane, being present in building strategies of the novel, culminating in polyphony, which is more elaborate and radically evident in Oz’s posterior novel A caixa preta. |
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