Nos limites do conhecimento, nos limites da forma: uma leitura de sonetos de Rilke e Hermann Broch

Several German-speaking writers reflected on epistemological issues, and understood literature as a particular form of knowledge, capable of advancing into areas that are either inaccessible or complementary to scientific research. At the beginning of the 20th century, Rainer Maria Rilke and Hermann...

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Detalles Bibliográficos
Autores: Juliana P. Perez, Daniel Reizinger Bonomo, Danilo Chiovato Serpa
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Repositório Institucional da UFMG
Idioma:portugués
OAI Identifier:oai:repositorio.ufmg.br:1843/56206
Acceso en línea:https://doi.org/10.1590/s0103-4014.2021.35103.007
http://hdl.handle.net/1843/56206
https://orcid.org/0000-0003-4516-7683
https://orcid.org/0000-0002-8159-1978
https://orcid.org/0000-0002-3007-8904
Access Level:acceso abierto
Palabra clave:Literatura de língua alemã
Epistemologia literária
Rainer Maria Rilke
Hermann Broch
Rilke, Rainer Maria, 1875-1926
Broch, Hermann, 1886-1951
Literatura alemã - Sec. XX
Epistemologia
Descripción
Sumario:Several German-speaking writers reflected on epistemological issues, and understood literature as a particular form of knowledge, capable of advancing into areas that are either inaccessible or complementary to scientific research. At the beginning of the 20th century, Rainer Maria Rilke and Hermann Broch produced sonnets - among other forms - to pursue this inquiry. In Rilke’s work, this interest is found in sonnets both from New Poems and Sonnets to Orpheus. In Broch’s, this concern can be seen in some sonnets from an early and less known phase of his writings, which prepares for the broad epistemological reflection of his novel.